Promoting powerful feelings and greater power in fighting the pandemic were strategies to protect and comfort afflicted societies.Īrtists developed these artworks to demonstrate how they might withstand and resist the diseases that were happening around them, restoring a feeling of agency.Īrtists have battled with notions concerning the impermanence of life, the link to the supernatural, and the duty of carers through their work. Their mission was to instill empathy in plague sufferers, who were thereafter connected with Christ, in order to praise and reward the heroic caretaker. The artist took on a new function in the centuries that followed. Art representing the Black Death in Europe was first interpreted as a warning of the wrath that the disease would bring to sinners and society. Throughout much of history, artists have represented epidemics from the perspective of the very religious context in which they lived. Sabatelli after himself See page for author, CC BY 4.0, via Wikimedia Commons The plague of Florence in 1348, as described in Boccaccio’s Decameron (‘Il decameron’). They have reinvented the disease as something less vague, mysterious, and terrible through these Medieval Bubonic Plague paintings. Their portrayal of the tragedies they observed has shifted dramatically over time, but the artists’ aim to depict the spirit of an epidemic has stayed consistent. 3.2 What Are the Specific Characteristics of Black Death Artwork?Īrtists have frequently attempted to make sense of the unpredictable damage brought on by the Medieval Bubonic plague, creating Black Plague art as a means of expressing their sorrows.3.1 Exactly What Effect Did the Black Plague have on Art?.2.10 Bonaparte Visiting the Plague Victims of Jaffa (1804) by Antoine-Jean Gros.2.8 Human Fragility (1656) by Salvator Rosa.2.7 The Plague at Ashdod (1630-1631) by Nicolas Poussin. 15th Century) by Giacomo Borlone de Buschis
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